The Statue of a Heroic Crusader who Spent his Life Fighting to Keep Statues out of Golden Gate Park.: Difference between revisions

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(swapped Art's writing in for Dr. Weirde)
 
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'''<font face = arial light> <font color = maroon> <font size = 3>Unfinished History</font></font> </font>'''
'''<font face = Papyrus> <font color = maroon> <font size = 4>Historical Essay</font></font> </font>'''
 
''by Art Peterson''
 
[[Image:John-McLaren.jpg|left|340px|thumb|Statue of John  McLaren in Golden Gate Park; ''Photo: Art Peterson'']] John McLaren, the man here pensively engaged with a pine cone, spent 53 years of his life, until his death in 1943, improving and protecting the 1,000-plus acres that are Golden Gate Park.
 
This statue fronting the park’s grove of rhododendrons, McLaren’s favorite flower, was a tribute he had not sought. In fact, after the piece was executed at the insistence of a friend, he hid it under a pile of blankets at the park’s stables. The work was only found after his death. In general, statues, or “stookies” as he called them, were not part of his vision for the park. The park’s flora was beautiful; stookies, weren’t. “Why must people change beautiful things?” he asked. It’s appropriate that McLaren’s feet are planted firmly on the ground, unlike the park’s many other bronze tributes mounted on imposing pedestals. In taking the job of Golden Gate Park Superintendent, he told the city fathers, “There will be no ‘Keep off the grass’ signs.”
 
Averse to statues as he was, McLaren countered their proliferation with a demonstration of the political savvy that allowed him to survive a long career. He would not squabble over the installation of bronzed war heroes, assassinated presidents, and revered literary lights. He would just plant foliage around them to obscure their impact. Some of the most luxuriant groves in the park are there to obscure a statuary intrusion of which McLaren disapproved.
 
A gardener since his early teens in Scotland, McLaren was totally into preserving nature in the park. He planted thousands of trees during his tenure while fighting off the encroachment of trolley lines, paving projects, horseless carriages, and later, automobiles into the park. In one instance, a San Francisco police chief wanted to remove an oak tree that he thought was in danger of collapsing onto the Park Police Station. McLaren told the chief he would compromise: “I’ll remove the tree if you remove the station.”
 
Something of a dour and hard-headed Scotsman, McLaren was not the easiest person to work for. He said he wouldn’t hire anyone who applied wearing a jacket because he suspected that such an applicant would not be up to hard work outdoors. Any employee caught smoking on the job would find himself out of work.


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''Photo: Chris Carlsson''
''Photo: Chris Carlsson''


'''John McLaren statue, McLaren Rhododendron Dell, Golden Gate Park.''' John McLaren, Supervisor of Golden Gate Park from 1890 until his death in 1943, detested statues. He hated them with such a passion that he defied the City authorities and persisted in his lifelong crusade to keep Golden Gate Park statue-free. It is fitting, then, that for his efforts McLaren was immortalized in the form of--what else? --a statue, which may be found near the entrance to the Rhododendron Dell that bears his name. Interestingly, the McLaren statue is placed at the very back of a hedged-off grassy space, far from the gaze of visitors. Perhaps those responsible for the statue felt a tinge of guilt. By attempting to conceal the McLaren statue, they were following McLaren's own policy of "if you can't beat 'em, hide 'em." When McLaren lost his battles against those who wanted to erect a statue, he exacted revenge by re-arranging the park to make the statue as unobtrusive as possible. Usually he did so by planting trees, shrubs, and assorted verdant objects on all sides of the offending idol. To this day, most of the dozens of statues that grace (or deface) Golden Gate Park are so well-concealed by McLaren's greenery that few visitors even suspect their existence. If you boldly follow the less-trodden paths through the eastern half of the park, you will undoubtedly experience the thrill of blundering upon some of the hidden statues. Like the explorers who discovered the overgrown ruins of ancient Mayan temples, you will marvel at nature's (and, in this case, McLaren's) power to take back what civilization has wrought.
Despite his quirkiness, San Francisco showered their park superintendent with a love highly unusual in a city that enjoys bringing public officials down to earth. Each year his birthday became an excuse for civic celebration. When he reached the mandatory retirement age of 70, the city fathers amended the City Charter to allow him to stay on the job the rest of his life. He took full advantage of this perk. He lived to be 96.  
 
<hr>


''--Dr. Weirde''
[[Image:Bridge-cover final.jpg|240px|left]] ''Excerpted with permission from Art Peterson's book, [http://www.amazon.com/That-Bridge-Orange-Francisco-Curious/dp/0926664190/ "Why Is That Bridge Orange?"] published in 2013, by Inquiring Minds Productions.''





Latest revision as of 16:45, 13 January 2014

Historical Essay

by Art Peterson

Statue of John McLaren in Golden Gate Park; Photo: Art Peterson

John McLaren, the man here pensively engaged with a pine cone, spent 53 years of his life, until his death in 1943, improving and protecting the 1,000-plus acres that are Golden Gate Park.

This statue fronting the park’s grove of rhododendrons, McLaren’s favorite flower, was a tribute he had not sought. In fact, after the piece was executed at the insistence of a friend, he hid it under a pile of blankets at the park’s stables. The work was only found after his death. In general, statues, or “stookies” as he called them, were not part of his vision for the park. The park’s flora was beautiful; stookies, weren’t. “Why must people change beautiful things?” he asked. It’s appropriate that McLaren’s feet are planted firmly on the ground, unlike the park’s many other bronze tributes mounted on imposing pedestals. In taking the job of Golden Gate Park Superintendent, he told the city fathers, “There will be no ‘Keep off the grass’ signs.”

Averse to statues as he was, McLaren countered their proliferation with a demonstration of the political savvy that allowed him to survive a long career. He would not squabble over the installation of bronzed war heroes, assassinated presidents, and revered literary lights. He would just plant foliage around them to obscure their impact. Some of the most luxuriant groves in the park are there to obscure a statuary intrusion of which McLaren disapproved.

A gardener since his early teens in Scotland, McLaren was totally into preserving nature in the park. He planted thousands of trees during his tenure while fighting off the encroachment of trolley lines, paving projects, horseless carriages, and later, automobiles into the park. In one instance, a San Francisco police chief wanted to remove an oak tree that he thought was in danger of collapsing onto the Park Police Station. McLaren told the chief he would compromise: “I’ll remove the tree if you remove the station.”

Something of a dour and hard-headed Scotsman, McLaren was not the easiest person to work for. He said he wouldn’t hire anyone who applied wearing a jacket because he suspected that such an applicant would not be up to hard work outdoors. Any employee caught smoking on the job would find himself out of work.

Ggpk$john-mcclaren-statue.jpg

Statue of John McClaren in Golden Gate Park.

Photo: Chris Carlsson

Despite his quirkiness, San Francisco showered their park superintendent with a love highly unusual in a city that enjoys bringing public officials down to earth. Each year his birthday became an excuse for civic celebration. When he reached the mandatory retirement age of 70, the city fathers amended the City Charter to allow him to stay on the job the rest of his life. He took full advantage of this perk. He lived to be 96.


Bridge-cover final.jpg

Excerpted with permission from Art Peterson's book, "Why Is That Bridge Orange?" published in 2013, by Inquiring Minds Productions.


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