The Early Digger Papers: Difference between revisions
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[[Image:polbhem1$embrace-digger-graphic.jpg]] | [[Image:polbhem1$embrace-digger-graphic.jpg]] | ||
Digger Poster 1966-7 | '''Digger Poster 1966-7''' | ||
''San Francisco: Fall 1966 to Spring 1967 '' | '''San Francisco: Fall 1966 to Spring 1967''' | ||
I think the idea of the Diggers formed out of the summer planning sessions of the Artists Liberation Front held at the Mime Troupe loft on Howard Street. Emmett Grogan is prominent in the photographs of those sessions. By the fall, ALF was planning a series of neighborhood street Free Fairs. These would be the first time street art came to some of San Francisco's neighborhoods, for example, the Tenderloin. And not only street art this would be the first time rock and roll bands played outdoors on city streets. Santana would play in their home territory, on Shotwell street in the Mission District. In the coming months, the Be-In as a participatory event model swept the country. The first Be-In, which the planners called A Gathering of the Tribes, happened a few months after the Free Fairs that the Artists Liberation Front carried out. | I think the idea of the Diggers formed out of the summer planning sessions of the Artists Liberation Front held at the Mime Troupe loft on Howard Street. Emmett Grogan is prominent in the photographs of those sessions. By the fall, ALF was planning a series of neighborhood street Free Fairs. These would be the first time street art came to some of San Francisco's neighborhoods, for example, the Tenderloin. And not only street art this would be the first time rock and roll bands played outdoors on city streets. Santana would play in their home territory, on Shotwell street in the Mission District. In the coming months, the Be-In as a participatory event model swept the country. The first Be-In, which the planners called A Gathering of the Tribes, happened a few months after the Free Fairs that the Artists Liberation Front carried out. | ||
It is worthy to note that the impetus for these events, including the Artists Liberation Front's planning sessions, came from the Mime Troupe's run-in with City Hall and the "Arts Establishment" earlier in the spring of 1966. [[Kenneth Rexroth and Barcelona by the Bay Kenneth Rexroth]], the venerable critic, author, and Old Left ''eminence gris'', first suggested taking the battle into the neighborhoods. [[How to Fight City Hall and Lose Ronnie Davis]], the Mime Troupe founder and director, shortly called the first meeting of artists to band together for mutual aid. From late spring to early fall, then, a series of meetings brought together many of the avant garde, more-or-less politically active artists, writers, actors, musicians, poets, or hangers on. | It is worthy to note that the impetus for these events, including the Artists Liberation Front's planning sessions, came from the Mime Troupe's run-in with City Hall and the "Arts Establishment" earlier in the spring of 1966. [[Kenneth Rexroth and Barcelona by the Bay |Kenneth Rexroth]], the venerable critic, author, and Old Left ''eminence gris'', first suggested taking the battle into the neighborhoods. [[How to Fight City Hall and Lose |Ronnie Davis]], the Mime Troupe founder and director, shortly called the first meeting of artists to band together for mutual aid. From late spring to early fall, then, a series of meetings brought together many of the avant garde, more-or-less politically active artists, writers, actors, musicians, poets, or hangers on. | ||
In the early Digger papers, the Diggers call for a renewal of purpose. The ALF meetings by this time were debating allowing booths to sell food and other goods at the Free Fairs. To the Diggers, this seemed like business as usual. There are at least six sheets that are from this period. In addition there are several notices and articles that appeared in the ''Berkeley Barb'' which document these nascent days. | In the early Digger papers, the Diggers call for a renewal of purpose. The ALF meetings by this time were debating allowing booths to sell food and other goods at the Free Fairs. To the Diggers, this seemed like business as usual. There are at least six sheets that are from this period. In addition there are several notices and articles that appeared in the ''Berkeley Barb'' which document these nascent days. | ||
{{#ev:archive|ssfdavedigr|320}} | |||
[ | '''"Diamond Dave" Whitaker and his Digger Poem, c. 1999''' | ||
[[Let Me Live In A World Pure Let Me Have Around Me The Pure The Pure Heroes| More Diggers]] | |||
[[Image:polbhem1$free-city-digger-graphic.jpg]] | [[Image:polbhem1$free-city-digger-graphic.jpg]] | ||
Free City Digger Poster, 1966-7 | '''Free City Digger Poster, 1966-7''' | ||
Diggers | [[San Francisco Diggers |Prev. Document]] [[Let Me Live In A World Pure Let Me Have Around Me The Pure The Pure Heroes |Next Document]] | ||
[[category:Dissent]] [[category:1960s]] [[category:1990s]] [[category:Public Art]] [[category:Literary San Francisco]] [[category:Haight-Ashbury] | |||
[[San Francisco | |||
Revision as of 16:08, 28 August 2008
File:Polbhem1$embrace-digger-graphic.jpg
Digger Poster 1966-7
San Francisco: Fall 1966 to Spring 1967
I think the idea of the Diggers formed out of the summer planning sessions of the Artists Liberation Front held at the Mime Troupe loft on Howard Street. Emmett Grogan is prominent in the photographs of those sessions. By the fall, ALF was planning a series of neighborhood street Free Fairs. These would be the first time street art came to some of San Francisco's neighborhoods, for example, the Tenderloin. And not only street art this would be the first time rock and roll bands played outdoors on city streets. Santana would play in their home territory, on Shotwell street in the Mission District. In the coming months, the Be-In as a participatory event model swept the country. The first Be-In, which the planners called A Gathering of the Tribes, happened a few months after the Free Fairs that the Artists Liberation Front carried out.
It is worthy to note that the impetus for these events, including the Artists Liberation Front's planning sessions, came from the Mime Troupe's run-in with City Hall and the "Arts Establishment" earlier in the spring of 1966. Kenneth Rexroth, the venerable critic, author, and Old Left eminence gris, first suggested taking the battle into the neighborhoods. Ronnie Davis, the Mime Troupe founder and director, shortly called the first meeting of artists to band together for mutual aid. From late spring to early fall, then, a series of meetings brought together many of the avant garde, more-or-less politically active artists, writers, actors, musicians, poets, or hangers on.
In the early Digger papers, the Diggers call for a renewal of purpose. The ALF meetings by this time were debating allowing booths to sell food and other goods at the Free Fairs. To the Diggers, this seemed like business as usual. There are at least six sheets that are from this period. In addition there are several notices and articles that appeared in the Berkeley Barb which document these nascent days.
{{#ev:archive|ssfdavedigr|320}}
"Diamond Dave" Whitaker and his Digger Poem, c. 1999
File:Polbhem1$free-city-digger-graphic.jpg
Free City Digger Poster, 1966-7
Prev. Document Next Document [[category:Haight-Ashbury]